Against the bandwagon mentality

I

The philosopher André Comte-Sponville, once said: “It is better to be too honest to be polite than to be too polite to be honest.” 

Although I agree with Comte-Sponville, I think that disagreements can be managed with kindness. For example, one should never be too polite to confront people who are discriminating, manipulating, lying or harming other people, but always try to do so in the friendliest manner. 

One way of meeting the world with kindness could be by following the Norwegian philosopher Arne Næss  (who was inspired by Spinoza and Gandhi and made an important contribution to ecological thinking). In his book, “Communication and Argument,” he suggests the following recommendations for objective public debate:

1. Avoid tendentious irrelevance, e.g. personal attacks or claims about opponents’ motivations.

2. Avoid tendentious quoting, e.g. quotes shouldn’t be edited to fit the argument.  

3. Avoid tendentious ambiguity, e.g. ambiguity can be exploited to support criticism.

4. Avoid tendentious use of straw men, e.g. views shouldn’t be assigned to the opponent that he or she doesn’t hold

5. Avoid tendentious statements of fact, e.g. information put forward should never be untrue or incomplete, and relevant information should not be withheld.

6. Avoid tendentious tone, e.g. irony, sarcasm, pejoratives, exaggeration, subtle (or open) threats

These suggestions, today, are rarely seen. Due to social media (specifically, its rapidness and the need to be present or visible constantly), we see a growing “cowboy mentality,” where people shoot first without thinking. Online shaming is an example of this “bandwagon mentality,” where the herd uncritically follows what appears or sounds to be right or good. 

II

A recent example of this “bandwagon mentality” is the Junot Diaz case. When the Dominican-American writer was accused five or six months ago of sexual misbehavior (i.e., forcible kissing and yelling), few questioned the credibility and gravity of the claims, whereas many uncritically jumped on the bandwagon and even upgraded the accusations to label Diaz a sexual predator. Now, after the Boston Review, M.I.T., and the Pulitzer Prize Board have conducted thorough investigations, Diaz is welcomed back. The accusations against him weren’t credible. 

What happened?

Facts, as the French philosopher Bruno Latour once said, are a product of a trustworthy inquiry. Thus, some facts are stronger than others. The reliability of facts depends on the strength and practice of the institution or network that produced these facts. In other words, facts and moral values hang together. It is morally wrong to claim something without evidence or to claim the opposite of what the evidence shows. Unfortunately, the moral debate surrounding false accusing is rare, almost as if accusations are accepted because of powerful men having silenced women for so many years. Yet, morality is not a contest to get even; it is a long, persistent practice of acting responsibly, demonstrating care and respect, and showing trust and equality in all situations. This is the only way to overcome oppression, whether related to gender, race, religion, or sexual preferences. 

The “bandwagon mentality” emphasizes that public philosophy is needed. One of the challenges of contemporary philosophers is to do work that inspires people to philosophize.

A simple way of addressing the “bandwagon mentality” is through imagination. Actually, being kind, polite, and civil requires imagination, such as imagining that we might be wrong or what we are being told might be wrong. In short, being humbler. For example, we could question what we take for granted, question why we take certain things for granted, question what kind of values our lives produce, question the identity that some people cling to, etc. (see e.g. All women are not angels)

For instance, we may ask why some people deliberately lied or exaggerated about Junot Diaz being a sexual predator and misogynist when he wasn’t. Is the problem epistemological, as when some people don’t know what they say when using certain concepts? Is it a semantic problem, as when some people misunderstand certain utterances, even utterances that most other people find meaningful? Is it a moral problem, as when some people claim and postulate what they can’t prove? Is it a mental problem, as when some people see and hear things that other people can’t?

Then again, it might just be an example of admiration turning into envy, frustration, and hate. After all, artists are known for self-pity and narcissism.

So, what to do? Civility, kindness, and politeness are never acts of blindness; rather, they are acts of compassion, in the sense that none of us can live without others. The others help us stay alert.

Simple advice: Before communicating, debating, or politicizing with others (especially if we accuse them of bad things), we need time to reflect, analyze, and think. We are thereby able to find solutions to those problems that few people dare consider today because, unfortunately, it is easier or more convenient to just follow the herd.

When life blooms

I’m pleased to announce that my new book, When life blooms – Breathe with Jeppe Hein will be released November 28th.

The publisher writes about the book:

“Danish artist Jeppe Hein soared to the top of the international art scene before the age of 35. His works were showcased at the world’s finest exhibitions and sold for sky-high prices. Then suddenly his body said stop. In 2009 Hein went down with stress.

In this book philosopher Finn Janning follows Jeppe Hein’s development from the tome immediately after his diagnosis with burn out and onward – a period where Hein underwent psychoanalysis and developed and interest in yoga, breathing exercises and spirituality.

Janning shows how spirituality has become more present in Hein’s works, and in the book, he develops an existential philosophy in continuation of the artists spirituality and art.”

I may add:

Although I was commissioned to write this book, I aimed at turning it into a philosophical biography that describes the life of the artist Jeppe Hein. In doing so, I’ve tried to exemplify Gilles Deleuze’s idea that “life is not personal,” that is to say, each life is a case study.

I choose this approach as a way of addressing the narcissism of the artist without making the narrative confronting, or in anyway judgmental.

Instead, I illustrate how Jeppe is formed by the major cultural trends during the last 40 years, such as the growing accelerating and spirituality and social entrepreneurship. He is an artist of his time.

It’s a book that tests and nuances the popularity of today’s spirituality through a philosophical, primarily existential lens.

ENJOY

 

Når livet blomstrer

Den 28. november udkommer min nye bog, Når livet blomstrer – Breathe with Jeppe Hein.

Selvom der er tale om en bestillingsopgave har jeg forsøgt, at skrive bogen i forlængelse af den franske filosofs Gilles Deleuzes ide om, at “livet ikke er personligt.” Snarere er livet et casestudie, der kan rumme varierende grader af eksemplariske fortællinger.

Denne tilgang valgte jeg af flere grunde.

For det første, som en kærlig måde at konfrontere Jeppe Heins narcissisme på, uden at dømme denne. For det andet, tænkte jeg, at det kunne være sjovt, at skrive en slags biografi præget af tidens tendenser – fra 70erne og frem til i dag. For det tredje, for at vise hvordan hans kunst i høj grad er formet af tiden, fx den øgede konkurrencementalitet og teknologiske acceleration, der for mange, inklusive Jeppe Hein, fører til stress og angst. Efterfølgende finder mange, inklusive Jeppe Hein, mening i den fremvoksende spiritualitet.

Så, bogen er både eksemplarisk og en mytedræber. Den er et stykke liv på papir!

Forlaget skriver bl.a.:

“I 2009 sidder Jeppe Hein i en flyver i 10.000 meters højde, da han får et angstanfald og ikke kan trække vejret. Efter et år med over 15 udstillinger og utallige rejser siger hans krop simpelthen stop.

”Jeg måtte lære at trække vejret igen,” fortæller Jeppe Hein i bogen.

Forfatter og filosof Finn Janning har været ven med Jeppe Hein, siden de var helt unge. I bogen følger han på nærmeste hold Jeppe Heins menneskelige og spirituelle udvikling efter hans burn out og viser, hvordan den er uløseligt knyttet sammen med hans kunst.

Undervejs i beretningen om Jeppe Heins spirituelle og kunstneriske rejse giver Finn Jannings indsigtsfulde analyser en baggrund for at forstå, hvad der er på spil. Han kommer rundt om filosoffer som Aristoteles og Kierkegaard, den spirituelle tyske lærer Eckhart Tolle, forfatterne Albert Camus og Peter Høeg og mange flere, og dermed bliver bogen en slags filosofisk monografi, som læseren kan bruge til selv at overveje nogle af livets store spørgsmål.

Janning udvikler i bogen en eksistensfilosofi i forlængelse af kunstnerens spiritualitet og værker.”

God fornøjelse …

Når livet blomstrer

The Philosophical Imagination

In The Philosophical Imagination, Richard Moran brings together a wide variety of essays that cover art, moral psychology, and philosophy of minds, as well as some essays that can be read as small monographs of contemporary philosophers.

He segmented 16 essays into three parts: Art and Aesthetics, Reading of Contemporary Philosophers, and Agency and the First person. The first part explored the concept of imagination as more than just a capacity to imagine certain things. Moran understands imagination as an approach to life or a way of connecting. Imagination, he said, “Has less to do with simply imagining something to be the case, or imagining doing or feeling something, and more to do with what we ordinarily think of as ‘imaginativeness.’ It is concerned with the ability to make connections between various things, to notice and respond …”

To some extent, this explanation could serve as a methodological guide for most of the essays, in which Moran was making connections with art and other philosophers—as he did in the second part—such as Iris Murdoc, Stanley Cavell, Bernard Williams, and Kant. Moreover, certain themes are linked together, e.g., when Moran unfolds Murdoch and her critique of existentialism, he ends up writing, “The personality is already interested in the choice before one chooses, and when the choice is postponed, the personality chooses unconsciously or the choice is made by obscure powers within it.”

These ideas are clarified later, in the third part, e.g., in the essay Interpretation Theory and the First Person, where he states, “A future theory of behavior could do very well without providing a reason to eliminate reference to persons and beliefs in our relation to ourselves and to others.” Furthermore, this idea is present in the essay called Self-Knowledge, “Transparency,” and the Forms of Activity, where self-knowledge is indicated as “a form of ‘transparency’ where a person can tell us what they think about some possibility by reflecting on that possibility itself.”

Philosophical imagination emerges in the gap between what is conscious and what is unconscious, or what is real and what is fiction.

In a way, Moran illustrates that the difference is blurry (i.e. between fiction and non-fiction), which is why art and literature can affect us or enrich us just as powerfully as anything “real” in life.

The essays in this collection are well written, they are accessible to non-academics as well as useful for academics—particularly in the area of aesthetics where Moran with impressive ease has blended Plato, Aristotle, and Hume, to clarify the concept of beauty in Kant and Proust. Moran’s style of writing is not polemical, but educational, although he is never pedantic. He embodies that philosophical thinking takes time. Actually, he lives up to his own credo, when he says, “I am working in a tradition of doing philosophy that takes the work of reading to be as centrally a form of philosophical thought as any other, and not a substitute for the real thing.” Personally, I found Moran to be a good companion to think with and to learn from.

I will return to some of the essays, if and when, I will work with rhetoric, metaphors or art in a more classical sense.

Published in Metapsychology, Volume 22, Issue 45

The philosophy of Byung-Chul Han

The French philosopher Gilles Deleuze once said: “There is no need to fear or hope, but only to look for new weapons.”

‘Weapons’ may give us the wrong associations, but what he refers to are concepts that, like a brick, can be used to destroy what is hindering the growth of our lives, and at the same time, help us build or create something sustainable.

The Korean philosopher Byung-Chul Han’s work can be seen a toolbox aimed at helping us understand our contemporary society, while also presenting us with concrete ideas, thoughts or ‘weapons’ that might help us overcome or resist our own weak desires and vanities.

Read the rest of my portrait of Byung-Chul Han that I wrote for The Mindful Word 

My review of The expulsion of the other

My review of In the Swarm

My review of Saving beauty

A small feature on Han, can be read here.

Shouldn’t I say something out of love?

Readers of the stream of philosophical blogging that I have produced during the last few years will be familiar with the Korean philosopher Byung-Chul Han. Behind me, I have 11 or 12 of his books—small essays to be more exact—and some of them I have mentioned here, here, and here.

In The Expulsion of the Other (2018), Han continues his analysis of our everyday existence in today’s achievement society. The Other is expulsed due to the terror of the Same.

“In that hell of sameness, humans are nothing but remote-controlled puppets.”

Expanding on this idea, Han returns to the question “Why?”. He claims that if it becomes irrelevant, nothing is understood, then adds, “knowledge is understanding … Insight in an emphatic sense is also transformative.” That philosophical thinking is transformative is well known, but some philosophers—especially phenomenalists—may differ regarding the Why-question, claiming that it leads to unending regress: because, because, because. Instead, for example, Merleau-Ponty would prefer How- and What-questions.

Still, Han’s errand is to illustrate that when everything is reduced to the Same, we become blind or deaf because the strangeness or even the painfulness of the Other is erased. The world turns flat and boring. After all, the subject of seduction is the Other: “the Other as eros.”

Eros is part of thinking, an idea that Han developed in his essay The Agony of Eros; it’s Eros that makes us courageous enough to take a step into the unknown.

Continuing, Han stresses that neoliberalism is not guided by reason; quite on the contrary the freedom of neoliberalism is an advertisement: “… freedom itself is exploited. People willingly exploits themselves under the illusion of realizing themselves.”

“We do it to ourselves,” as Radiohead once sang, “and that’s what really hurts.”

The ideas that Han present here are not new. He has repeated these, at least, since the publication of Müdigkeitsgesellschaft in 2010 (English, The Burnout Society, 2017). But still, like repeating a good joke, small nuances are added.

Han’s style is Hegelian; he operates in dualism. It makes him easy to follow but at times he misses, at least in my opinion, the blurry gap in between. For example, Sameness is bad because it makes us numb whereas the Other opens us for thinking; negativity is good because it challenges and affects us, whereas the terror of positivity makes us empty; love is the answer whereas today’s narcissism and the endless string of selfies only creates emptiness and depression; it’s better to listen than just communicate. Lastly, today’s notion of authenticity is “the self’s neoliberal form of production.”

It’s difficult not to agree. Today people optimize their bodies and souls to become attractive, sellable commodities. Status, prestige, and power are guided by the market, not by love as a political and transformative power.

Still, when Han quotes Deleuze for saying, “Playing the fool has always been a function of philosophy” because the philosopher breaks with the predominant, i.e., the Same, Han tends to be against or opposing the Same from an opposite position. Black or white. However, in my opinion, Deleuze’s philosophy doesn’t create an opposition to a dominant position; rather he is more prepositional, more immanent, placed in the midst of life pointing out new forms of life.

Han, on the other hand, is transcendental. I sense his German roots, Hegel and especially Heidegger, when it comes to truth and origin. He tends to aim at reawakening an “original animal” within. For example, he follows Heidegger’s concept of Eigenlichkeit, the potential for being that suffers from the seductive power of They (Das Man). We are narcissistic in the eyes of the Other because we want to be liked and followed by them, but Han want us to be more true to ourselves regardless what They say and feel. Intuitively I follow him (although I understand the self as a changing process of becoming, not something solid but something else), and similar ideas can be found, for instance, in psychologist Edward Deci’s Why We Do What We Do, where he writes, “…narcissism involves desperately seeking affirmation from others.

Narcissism is not the result of Eigenlichkeit, but is its antithesis.

Continuing, Han writes that the constant hypercommunication “destroys both you and closeness. Relationships are replaced by connections.”

How do we overcome the terror of positivity, the hell of Sameness?  Han suggests that we use listening as a generous invitation for another to speak. “Listening is a bestowal, a giving, a gift. It helps the Other to speak in the first place.” My silence, therefore, expresses a hospitality.

In conclusion, Han tells us what most of us already know, but unfortunately many find it difficult to live up to: Love is the answer. “Only eros is capable of freeing the I from depression, from narcissistic entanglement in itself.”

What Han doesn’t explore sufficiently in this essay is the delicate balance between a healthy self-love (I would call it self-care) and narcissism; that is, today many people are selling love, praying love, even acting lovingly but in a way that seems to be fueled by their desire for status and prestige related to being a loving person. There is a political correctness that has even invaded love, playing with Heidegger’s distinction between Eigenlichkeit and Das Man; authenticity and They.

It could be interesting to relate his ideas to Spinoza, who defines love as the increase of our joy, as well as of our power to act and think, with the recognition of an external cause. His love is social. Thus, instead of striving to be honest towards myself (Eigenlichkeit), maybe I should try to engage with love and care for others. In a way it would make better sense to love my wife than myself because her love makes me more powerful and joyous. And, therefore, I can act with more compassion socially.

I’m not sure that Han would disagree with these preliminary thoughts; still, what he gains in his accessible and stimulating analysis is perhaps what I miss: a more thorough study where the treatment and diagnosis hang together better. For example, yes, we should listen, but what do we do when what we hear is unacceptable, such as misogyny, racism, and extreme nationalism? Shouldn’t I say something out of love?

If love is the answer, then it means that when there is no doubt, there is love. Seen in this light, Han’s book is full of compassion because every time love is absent, we should doubt, imagine, think … how to enhance love.

 

First published in Metapsychology, Volume 22, Issue 43

Humanisme og kapitalisme – til døden jer skiller

Der er de senere år sket en kapitalisering af humanismen. En kapitalisering der i stadig højere grad gennemstrømmer det moderne menneskes måde at tænke og begrebsliggøre verden og eksistensen. På trods af de mange fordele ved partnerskabet advarer Finn Janning i denne artikel mod en yderligere applicering af den kapitalistiske model på menneskelivet. I takt med den kapitalistiske models fortsatte applicering på livet, udgrænses nemlig nogle af de allermest fundamentale mulighedsbetingelser for udvikling og liv.

Fra opposition til parløb

Noget af det første, man lægger mærke til ved arbejdsmarkedet, er, at det er præget af kontrol. Den menneskelige kapacitet sættes i systemer, hvor den kan måles og vejes som en ressource. Der sker en kapitalisering af det humane.

Normalt ville de fleste nok karakterisere humanisme og kapitalisme som et umage par. Hvor humanismen forbindes med en frigørende menneskelig dannelse, forbindes kapitalen med en regulerende, styrende og kontrollerende mekanik. Det paradoksale er dog, at humanisme og kapitalisme i dag fremstår som et glimrende par. Humanismen er blevet kapitaliseret. Alt lige fra uddannelse henover arbejde til kærlighed og sex skal i dag kunne betale sig. Vi kan alene se det på det sprogbrug, vi anvender om sociale og eksistentielle emner, fx når vi investerer i et kærlighedsforhold. Samtidig tillægges kapitalen sit eget liv, fx når flere og flere ønsker mere luft i økonomien. Frihed er blevet lig med økonomisk frihed. Alt hvad vi gør, motiveres af penge, fordi vi med penge kan erhverve alle de ting som dominerer os: computere, biler, status og magt.

Denne kapitalisering af humanismen er tæt forbundet med to gensidigt forstærkende fænomener: Det ene er kapitalen, som ønsker kontrol, ro og orden; det andet, skyldes at angsten er blevet livets vejleder. Vi er i stigende grad blevet bange for ikke at kunne slå til på kapitalens domæne, nemlig arbejdsmarkedet. På den måde er nysgerrigheden, det afvigende, imaginationen og det uforudset blevet forsøgt homogeniseret. Vi har ikke råd til, at et helt livs tilpasning til arbejdsmarkedet gennem alverdens institutioner, spoleres af mulige kættere.

I de sidste 10-15 år er den menneskelige dannelse, nærmest blevet synonym med kapitalens interesser. På Handelshøjskolen i København har man i de sidste mange år skabt en masse passende kombinationsuddannelser (filosofi, psykologi, kommunikation kombineret med erhvervsøkonomi), som kan imødekomme erhvervslivets behov. Efterspørgslen af bestemte kompetencer styrer udbuddet af uddannelser. Dette betyder, at den menneskelige dannelse ikke længere forløber gennem alverdens umulige og indviklede alfarveje, men i en disciplineret løbebane, der på sigt vil sikre mere økonomisk velfærd. Samme tendens er vi vidner til indenfor kunsten, hvor forfattere og kunstnere ofte vurderes efter hvor meget de tjener, hvorved et værks værdi i stigende grad gøres lig med dets økonomiske indtjening.

Det urene, irrationelle og uverificerbare liv kontra det lineære, målbare livssyn

Resultatet af denne udvikling er blandt andet, at en masse aktiviteter, som bedst kan rubriceres som ikke-arbejde, ikke tillægges den enorme kreative og innovative værdi, som rent faktisk produceres. Kapitalen er slet ikke modtagelig over for den dynamik, der kommer udefra. Her tænker jeg blandt andet på de relationer og forbindelser, som ikke kan bestemmes med én identitet. Tilfældige møder på gaden, film og litteratur kan alle vække tanken fra dens slumrende hi; idet tanken er en bevægelse der samtidig er det stof, der bevæger den. Der er tale om en ikke-normativ praksis, hvor den umiddelbart udstødte på et senere tidspunkt kan bryde med det kapitalistiske system ved at udvide dette indefra. Et eksempel herpå er små forlag, hvis ukendte forfattere pludselig slår igennem. Eller tilsynekomsten af alternative livsformer, som endnu ikke er blevet paralyseret af den kapitalistiske orden. Dette kunne fx være unge medarbejdere, som ikke ønsker at blive ledere pga. de lange arbejdstider, folk der dropper karrieren i en alder af 40 år eller de alternative livsformer, som blandt andet samspillet mellem kunst og design kan åbne op for.

Måske er det passende at sammenligne kapitalen med en hysterisk rengøringsassistent, der vil have rene og klare linier, hvilket på ingen måde stemmer overens med livets spraglethed.

Livet er urent. Det er fuld af metamorfoser, minoritet og alternativer. Hvor kapitalen ensidigt satser på kvantitet, handler livet om kvalitet. Anvender vi tanken om et åbent netværk som et billede på livet, så kan vi sige, at et åbent netværk, modsat de fleste labyrinter, ikke har én privilegeret ind- eller udgang. Derimod er der tale om et kludetæppe af intersektioner, dér hvor forskellige tanker, følelser og kræfter støder sammen. I livet kan man kan begynde, hvor man vil og bevæge sig rundt i det åbne netværk ad de mange forskellige spor. Sagt anderledes: Livet er ikke at sammenligne med kapitalens klassiske forestilling om én stairway to heaven. Ifølge kapitalen skal det enkelte menneske først igennem forskellige institutioner og uddannelser for på et tidspunkt at nå dertil, hvor vedkommende kan starte som juniorkonsulent i en større virksomhed. Og her fortsætter rejsen så frem mod den lidt mere prestigefyldte rolle som seniorkonsulent, senere partner eller chef, for måske på et senere tidspunkt at ende i den jordiske himmel som administrerende direktør. En persons titel fortæller omverden, hvor meget en person endnu mangler for at komme i himlen, en mangel der altid definerer det enkelte menneske negativt. Du kan altid tjene endnu mere!

Problemet er selvfølgelig ikke, at de mennesker, der ender som direktører, ikke har gjort sig fortjent til en behørig respekt. Snarere at respekten alene er forbeholdt de personer, der ender som direktører og i anden ombæring de personer, som kæmper heroisk herfor. Hvorimod mennesker uden for arbejdsmarkedet er, hvad den italienske filosof Giorgio Agamben kalder en homo sacer, en lovløs, der er dømt. Man kan bede den arbejdsløse om hvad som helst, men samtidig har den arbejdsløse ikke mange rettigheder .

Den nye værdiledelse som kompleksitetsreducerende værktøj

Når menneskelige erfaringer, oplevelser, følelser og tanker afkodes til et spørgsmål om penge og magt, så hæmmes de menneskelige udfoldelsesmuligheder. Livets rumlige mangfoldighed reduceres til en tidslig retlinethed, hvor de forskellige delmål afspejles i titlernes medfølgende status. Modsat kunne man sige, at vi som menneske aldrig bliver færdige med fortiden, idet fortiden er en aktiv bevægelse i det enkelte menneskes arbejde med sin egen historie. På den måde er tiden ikke retlinet, men rummelig og kaotisk.

Fastholder vi billedet på livets rigdom som et åbent og fluktuerende netværk, så præsenterer de forskellige intersektioner i dette åbne netværk forskellige møder, fx mellem forskellige mennesker eller kulturer. Der er tale om møder hvis umiddelbare tilfældighed kan vise sig at kaste nødvendige og muntre erkendelser af sig. Ethvert nedslag eller møde i livets netværk er derfor ikke en svag afglans af et ideelt netværk, som det er tilfældet i kapitalens delmål på en persons ”stairway to heaven”. Derimod er disse intersektioner eller møder dele af det åbne netværk, en slags cross over, der kan fremtrylle noget nyt ved hjælp af tilsyneladende uforenelige kræfter. Det er denne udvidelse, som gør det muligt at tænke flere livsformer sammen, der er uopnåelig for det kapitalistiske retteark, et retteark som flere og flere mennesker lever efter. Det gør flere af førnævnte to grunde: Ens rolle i det kapitalistiske system, nemlig ens arbejde, er blevet det altdominerende og eneste saliggørende i dagens arbejdssamfund. Kombineres denne udvikling med angsten for at miste denne identitet og ryge udenfor, så ved vi hvorfor virksomheder har haft stort held med at fortælle os, at vi konstant må omformes, forandres, forbedres og rettes til. Dette er selvsagt problematisk, idet ét liv forudsætter flertal; dét er en mængde uden struktur. Noget som kapitalen konstant strukturerer og gør enfoldigt.

Såfremt det humane, mennesket og livet i flertal ikke skal kapitaliseres fuldstændigt, så må vi vedkende os, at livets mangfoldighed har en ontologisk status. Det mangfoldige er, før der er én. Kapitalen forsøger hele tiden at tænke livet i ental, som én enhed her og én mangfoldighed der. Jeg vil prøve at præcisere dette yderlige gennem et eksempel.

Vi har et menneske, og vi har et arbejdsmarked. Ifølge den traditionelle kapitalistiske opfattelse er et menneske enten medlem af arbejdsmarkedet eller ikke med. Men mellem enten-eller, inde eller ude i forhold til arbejdsmarkedet, er der en uendelighed af værdier. Det vil sige, at grænserne mellem arbejde og ikke-arbejde er flydende. Og det er hele dette mellemliggende spektrum mellem arbejde og ikke-arbejde, mellem at være en del af arbejdsmarkedet eller ikke, som kapitalen slet ikke kan håndtere, ej heller betragter. Produktiviteten finder reelt sted alle steder. Dikotomien mellem arbejde og ikke-arbejde er i den immaterielle økonomi blevet uskelnelig, selv når vi er på toilettet tænker vi stort. Mon det var dét Marcel Duchamp ville gøre os opmærksom på med sin Fontain?

Duchamp lærte os at selv de mest ydmyge steder eller genstande, besidder træk og egenskaber, som vi desværre sjældent er opmærksomme på. Relaterer vi dette til produktivitet, så betyder det at alle kan lære af hinanden, alle steder.

Et andet eksempel på kapitalens moraliserende reduktion af ét liv, er vi vidner til i forbindelse med nogle de ledelsesmæssige tiltag, som blev foretaget i firserne og halvfemserne. Her begyndte mange virksomheder at fokusere på etik og værdier. Jeg tænker blandt andet på værdiledelse og mangfoldighedsledelse. Skønt de humanistiske intentioner så har det vist sig, at værdierne har vist sig mest værdifulde som en eksklusionsmekanisme og som kompleksitetsreducerende. Denne angst for kompleksitet er ganske synonym for kapitalen, endskønt jo mere komplekst vi kan tænke, desto væsentligere vil vores forslag eller forbedringer være. Lidt firkantet kunne vi sige, at jo mere virksomheder leder efter værdier, desto mindre forstår virksomheden. Værdiledelse er en måde, hvorpå virksomheder begrænser deres eget manøvrerum for ikke at virke inkompatible. Dette er én måde, hvorpå kapitalen har været med til at gøre angsten til et livsvilkår eller en livsvejleder for mange. Med vores ensidige fokusering på penge og profit, minimerer vi vores tro på, at uforudsete afvigelser kan berige os. Vi minimerer vores tro på denne ene verden, fordi vi udsætter troen herpå til næste lønningsdag.

Den manglende tro på dét der er, bliver endnu mere tydelig i forbindelse med mangfoldighedsledelse, hvor det mangfoldige er blevet til et spørgsmål om kvantitet, ikke kvalitet. Penge taler tilsyneladende et sprog, hvis forførende kraft end ikke digtere og forfattere kan matche. Virksomhederne vil gerne signalere mangfoldighed med ansættelser af kvindelige ledere, medarbejdere med forskellig etnisk og religiøs baggrund, så længe alle blot tænker det samme. Der er tale om en strategisk omsorg, ikke en interesseret og solidarisk inkorporering af et større og mere rummeligt ”vi”. Devisen er klar: Bliv som OS og VI kan lide dig. Så længe der reelt ikke er handlefrihed og tankefrihed, så nytter camouflagedragten ikke. Modsat ville jeg ønske, at virksomheder ville kunne inkorporere det, som eksisterer udenfor grænserne for det, de normalt accepterer, det som eksisterer udenfor de kendte kategorier og tanker. En bevægelse hinsides kapitalens grænser ved at inkorporere et alternativ, som kunne sprænge dennes rammer indefra. Det ville blandt andet betyde, at virksomhederne kunne blive til urene organisationer fulde af divergerende livsformer og tanker. En sådan uren organisation producerer nye værdier, som kapitalens begrebsapparat ikke kan begribe.

Den ubetingede gæstfrihed

Jaques Derrida har i sine skrifter plæderet for en ubetinget gæstfrihed, hvilket netop er et brud med denne form for lokumshumanisme, som førnævnte ledelsesteorier repræsenterer. Derrida taler om en gæstfrihed, hvor man ikke kun inviterer nogen på betingelse af, at vedkommende underkaster sig alt, hvad vi siger og gør. Han siger i et interview: ”Ægte og ubetinget gæstfrihed, gæstfriheden selv, åbner sig eller er på forhånd åben over for den, som hverken er ventet eller inviteret, over for hvem som helst, der ankommer som en absolut fremmed besøgende, som en nyankommen, ikke-identificerbar og uforudsigelig, kort sagt som den helt anden.”(Filosofi i terrorens tid).

En måde, hvorpå vi kan humanisere kapitalen, kan ske gennem en relancering eller revitalisering af kærligheden. En kærlighed til livets singulære kræfter, som hverken negeres eller reduceres. Kærligheden kan give mennesket dets mangfoldighed tilbage. Hvorfor elsker jeg netop hende, fordi, fordi, fordi… hvorfor elsker mit arbejde mig, fordi jeg skaber merværdi.

Det smukke ved kærligheden er, at den aldrig blomstrer på betingelse af, men altid på trods af. Den er uafhængig af den andens gengældelse. Det er gennem kærlighedens imødekommende gæstfrihed, at nye møder opstår, møder som kan vise sig at medføre givende og lærerige forandringer. Det handler derfor om at give plads til den anden, som en anden. Faktisk er kærlighed det eksakt modsatte af hele den kapitalistiske ide om noget for noget, som desværre gennemsyrer hele den vestlige verden. Kærlighed handler snarere om noget for noget andet. Hvor noget for noget altid forudsætter, at noget er betinget af noget bestemt, fx at virksomheden kerer for sine medarbejder, fordi de besidder visse rentable kompetencer, eller regeringen tilbyder dansk statsborgerskab, fordi vedkommende kan tjene penge og arbejde, så forudsætter kærlighedens noget for noget andet, intet. Kærligheden er intet andet end sig selv.

Måske er kærligheden en fiktiv følelse eller en følende fiktion, et brud på de gængse regler, hvorved der hele tiden opstår nye forbindelser imellem kræfter på tværs af grænser og klasser. Kærligheden hæfter sig ikke ved grænsernes kategoriseringer, men skaber mere virkelighed ved at virkeliggøre livets potentiale. Erkendelse er derved den gestus, der rækker kærligheden og derved skønheden videre. Kærligheden forventer intet til gengæld. Der er tale om et GRATIS gode; en uforpligtende gave. Det er trods alt altid kærligheden, der bringer os videre – aldrig pengene, som blot låser os fast i dyre boliger og lån.

At prise kærligheden er at prise menneskets ukrænkelighed; kærlighed er nemlig summen af alt humant. Kærligheden undfanges i og af det humane, og det humane forøges gennem kærligheden. Hvornår mon vi lærer, at kærlighedens pris blot er at prise den?

Trykt i tidsskriftet Turbulens.net, april 2006.


How far has the #MeToo movement progressed?

“Why treat women as children, regarding their “no” and “stop” as nothing but jaunty foreplay that only serves to test a man’s resolve?”

***

“Did he really do it? Did he ignore Kathryn Mayorga, who several times said “no” and “stop” while he penetrated her from behind? Yes, he did. ‘He’ being the Portuguese football (soccer) player Cristiano Ronaldo—one of the world’s most prominent athletes and, for the last three years, the world’s best football player.

Recently, the German news magazine Der Spiegel published a long, well-researched report dealing with what happened in a hotel room in Las Vegas in 2009 …”

In this essay, I use the accusations against Ronaldo as presented by Der Spiegel to reflect upon the question:  How far has the #MeToo progressed?

Read the essay in The Mindful Word.

Philosophy as fiction

“For me, philosophy is a way of living and not an academic discipline that requires you to swallow a certain amount of information to pass. Most great novelists are philosophers. The Danish philosopher Søren Kierkegaard once said that literature in order to become philosophy must become fiction. I like that. It also shows that the distinction between philosophy and literature is rather new—perhaps stemming from Kant—but does it matter if Nietzsche, Kierkegaard, de Beauvoir, and all the others are classified as philosophers or writers?”

Read the rest of the interview in Under the Gum Tree.

How Should I Live?

Before I try to give a decent answer, I would like to emphasize that I’m glad the question is personal. It refers to me, not you, or someone else. I don’t like moralizing, that is, telling other people how they should live, but I do like the element of self-knowledge and care that this question addresses.

Thus, “How should I live?” should live a joyous life.

Life, of course, is full of both joy and sadness, suffering and pleasure. Some of these are related to individual limitations, e.g. intellectual abilities. Others are related to social or political circumstances, e.g. financial.

Still, a useful guide is to live in a way that enhances a life’s joyous moments regardless of the circumstances.

How do I do that? From the French philosopher Gilles Deleuze, I’ve learned that we always have the thoughts and feelings that we deserve. At first this can seem brutally arrogant, but what he aims at is that our mental state depends on how we relate to or approach our experiences. The challenge that we all share, regardless of setback or misfortunes, is how we become worthy of what is happening. This is not acceptance as a kind of resignation; rather, it’s an approach to life that confronts obstacles or setbacks by trying to create a new form of life that minimizes the effects of what is hindering ourselves from living freely.

Therefore, I should live as a compassionate fighter, that is, become a person that fights by exploring what a life may become. What is possible? I fight hate, discrimination, domination, violence, etc. because it kills life. And by involving myself in this fight — although I have to acknowledge my intellectual limitations – I feel better. Actually, I feel alive. And to live a joyous life is to have an intimate affair with life, to experiment, and dance with it.

I remember the Chilean writer Roberto Bolaño once said that children typically are full of joy, and then he wondered why it’s so, before answering, that they are alive.

It sounds like a tautology: a joyous life is synonymous with how I should live because joy emerges through appreciation of being alive, which I accomplish by destroying  everything that seem to hinder life from flourishing, just as I create room for things that flourish. Nothing comes for free, except death.

Joy and happiness require hard work.

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